Between the lines

A3: Charcoal and wash

I was more deliberate about the design of this than I usually am when drawing one pose on top of another.  I included straight lines suggested by the interior of the studio as a deliberate contrast with the organic flowing contours of the model. By extending washes into some of these more abstract grid lines I was aiming to break up the composition further and increase the general ambiguity and transparency and the blurring of apparent boundaries between body and space, self and other…

Advertisements

Headless

A3: Charcoal on paper

So, having said I might like to focus a bit more on the head what do I do here? I leave it really vague and instead get all involved in the fascinating contrast between the light and shade on the shoulder and torso until the pose is over and there’s no time left.  What can you do? To me the head just wasn’t the most engaging aspect of this pose, in fact it seemed almost invisible, as if a veil of light had been thrown over it obscuring any detail.